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IG_193: Book illustration: Vitrail du harem du palais d'Azhad pacha, à Damas
(MISC_IG_LeBon_1884_IG_193)

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Title

‘Vitrail du harem du palais d’Azhad pacha, à Damas’

Type of Object
Dimensions
22 x 15 cm (page)
Artist / Producer
Le Bon, Gustave · Photographer, author
Dating
1882
Research Project
Author and Date of Entry
Sarah Keller 2025

Iconography

Description

‘d’après une photographie de l’auteur’; ill. no. 175 in Le Bon, La Civilisation des Arabes, 1884.
A round window with a central Arabic inscription.

Iconclass Code
49L142 · Arabic script
49L8 · inscription
Iconclass Keywords

History

Research

This window probably dates to 1749/50, when the Qasr al-ʿAzm, a private residence in Damascus, was built. Le Bon’s fig. 201 shows the qāʿa and the northern ṭirz, with the window in the upper part of the wall, and fig. 175 the round window. The author only briefly comments on the palace and states that it is one of the oldest buildings in Damascus, and the most beautiful.
A photograph taken by the Maison Bonfils in 1890, shows the same view as Le Bon’s fig. 201 (Fine Arts Library, Harvard College Library; Archnet, 2023). In 1925, the palace was heavily damaged and the stucco and glass window destroyed.
Circular stucco and glass windows have a long tradition, going back to Ayyubid and Mamluk times (see Flood, 1993, p. 83, figs 40, 44). In Cairene mosques, they were often placed over the mihrab (see IG_188, IG_295). In Damascus, the Yalbugha Mosque (747–8/1347–8) has several circular windows, also in the qibla wall.
No circular windows entered European collections. The Damascus Room in The Metropolitan Museum of Art displays a round window on the same place as in the Qasr al-ʿAzm, but it dates to the 1970s (Kenney, & Baumeister, 2011).

Dating
1882
Period
1882 – 1884
Related Locations

Bibliography and Sources

Literature

Archnet (2023). Qasr al-'Azm (Damascus). Retrieved from https://www.archnet.org/sites/3074?media_content_id=125052.

Bali, J. (2016). Différentes approches de « restauration » en Syrie : de Michel Ecochard aux projets de l’Aga Khan Trust pour la Culture. Master thesis. Retrieved from https://archive-ouverte.unige.ch/unige:96215.

Flood, F. B. (1993). Palaces of crystal, sanctuaries of light: windows, jewels and glass in medieval islamic architecture [PhD thesis, University of Edinburg]. Edinburgh College of Art thesis and dissertation collection. Retrieved from https://era.ed.ac.uk/handle/1842/19754.

Kenney, E., & Baumeister, M. (2011). Reception Room (Qa’a). In Ekhtiar, Soucek, Canby, & Haidar (eds.). Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art (no. 238, pp. 7, 13–14, 333–37). New York: The Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/art/collection/search/452102?ft=damascus&offset=0&rpp=40&pos=1.

Image Information

Name of Image
MISC_IG_LeBon_1884_IG_193

Citation suggestion

Keller, S. (2025). ‘Vitrail du harem du palais d’Azhad pacha, à Damas’. In Vitrosearch. Retrieved December 5, 2025 from https://www.vitrosearch.ch/objects/2713037.

Record Information

Reference Number
IG_193