Rectangular stucco and glass window with geometric ornamentation composed of interlaced eight-pointed stars and held in a wooden frame. The stars are arranged symmetrically along the centre axis and form a pattern of interlocking stars. The rectangular field is framed by an interlaced ribbon ornament, which, unlike the main field, is not perforated and therefore not backed with coloured glass.

The window is held in a wooden frame composed of four slats fixed with nails at the corners.

Gypsum plaster; colourless glass (with greenish-greyish tint); coloured glass (two shades of green, three shades of blue, two shades of orange, yellow, two shades of red flashed glass, wood, metal

The front of the window shows several cracks and losses in the latticework. On the back, there are some defects in the thin stucco layer and glass losses. The window shows no signs of previous restorations.

This window has the same design as and dimensions almost identical to those of the stucco and glass window IG_362 held in the same collection. The colours and the layout of the pieces of glass are also very similar. We therefore assume that this window is a cast replica of IG_362. Several observations support this hypothesis: the traces of the tools used to cut the stucco lattice that we observed in window IG_362 are absent here. The surfaces of this window are smooth and show characteristics similar to those of other windows that were probably cast (see for instance IG_360, IG_361, IG_367, IG_368). In addition, the frame of the window does not have the diagonal reinforcements on the back that we observed on window IG_362 and on other windows of supposedly Tunisian origin. Due to the technical differences, we assume that the window was manufactured in Europe, possibly in Austria.

Due to the lack of documentation, the exact origin of the window and the date from which it first entered a museum collection are unknown. So far, we only know that it formed part of the collection of the Orientalisches Museum in Vienna, founded in 1874 (from 1886 the k.k. Österreichisches Handels-Museum). In 1897, Arthur von Scala (1845–1909), the director of the Handels-Museum, left the museum to become the new director of the k.k. Österreichisches Museum für Kunst und Industrie (Wieninger, 2012). On his initiative, this and a few other stucco and glass windows were transferred to the k.k. Österreichisches Museum für Kunst und Industrie (today the MAK – Museum für angewandte Kunst) in 1907.